Sunday, April 17, 2011

LAST LAP

Schedule for the remainder of class:

Tuesday, April 19: TEST, Baroque

Thursday, April 21: Lecture Chapter 29 (1700-1800)

Tuesday, April 26: Lecture Chapter 30 (1800-1870)- HONORS PROJECT DUE

Thursday, April 28: Review Chapter 29, 30

Thursday, May 5: TEST Chapters 29 and 30

Thursday, April 14, 2011

ASSESS THIS CLASS AND GET 5 POINTS EXTRA CREDIT

The Student Assessment of Courses and Faculty provides you with an opportunity to express your views on your classes and how they have been taught. Students are asked to submit an evaluation of this class near the end of the term in order to help faculty and administrators improve instruction.

To complete an evaluation of this course:
Directions:
• Log on to PantherWeb at http://www.palmbeachstate.edu/pantherweb.xml using your regular Student Identification number and PIN.
• Select the Quick Link marked “Evaluate Courses.” You will then see a list of the credit and college preparatory classes in which you are currently enrolled.
• If you see a button marked “Evaluate” next to a course, that course is available to be assessed. Press the button to take the evaluation. The evaluation will open in a new window.
• When you have completed the evaluation, you will see a confirmation page that you may print for your records if you need it. Close the window to return to your list of courses.
• If you have courses without “Evaluate” buttons next to them, look at the dates in the “Evaluation Window” column.
• If you have no other classes to evaluate at this time, you may go to another area of PantherWeb, or simply log off.

FOR EXTRA CREDIT JUST PRINT A RECEIPT SHOWING DATE AND TIME OF EVALUATION

Monday, April 11, 2011

THE ART ALLIANCE IS BACK !

From art alliance posters


please click on link for info.


you must join, you must, there is no other option....


Sunday, April 10, 2011

Upcoming Dates

Tuesday, April 19: TEST on BAROQUE Tuesday, April 26: Honors Project DUE (200 points).

Thursday, April 7, 2011

Bovey Lee

The Mural That Set Maine Aflame: Reactions to the Nation's Most Boneheaded Art Controversy



Last weekend, Maine's Republican governor, Paul LePage, had a 36-foot mural removed from the state's labor department after claiming that it was "one-sided." The mural depicted imagery from labor history such as Rosie the Riveter at the Bath Iron Works, child laborers, and a 1937 shoe mill strike. The offending work, which was created by artist Judy Taylor, has been whisked away to an undisclosed location. Taylor produced the mural in 2008 at the behest of the Maine Art Commission, and the project was federally funded -- which means that its removal may actually be illegal.

This controversial decision has lit up the media and the blogosphere, and ARTINFO has rounded up the most interesting reactions -- from the artist's objections to accusations of brainwashing to a call for a good old-fashioned tarring and feathering of the Tea Party governor.

That's Comrade Rosie the Riveter: Although the governor's office claimed to have received several complaints about the mural from the business community, it has cited only one source: an anonymous fax, which it showed to the Portland Press Herald, whose sender complained that the mural was propaganda, writing that "I felt for a moment that I was in communist North Korea where they use these murals to brainwash the masses."

Judy Taylor Speaks Out: In an op-ed for the Bangor Daily News yesterday, Taylor writes that her first painting as a child was of her grandfather on his farm in Nebraska. In the mural, which she researched and painted over the course of a year, she represented her mother as a little girl in one panel and based the figure of the young army officer on her father, who fought in the Korean War. She adds that "it was so heartbreaking to learn that this controversy may have started with an anonymous letter comparing this mural to a North Korean propaganda poster. Perhaps we should hang my father's Bronze Star for his service in Korea in the now empty reception area of the Maine Department of Labor until the mural is returned, as a symbol of the importance of remembering our history, and not shuttering it away."

Artist Solidarity: In protest against the mural's removal, Finnish-born Maine-based artist Vaino Kola has asked that five of his artworks that hang in Maine's state house be removed, the Bangor Daily News reports. Former Labor Secretary Weighs In: In his Christian Science Monitor blog, the former secretary of labor Robert Reich disagrees with the removal of the mural and the additional decision to rename several conference rooms that honor labor leaders, including Frances Perkins, a former secretary of labor and the first female cabinet member. Quoting the governor's spokesperson that the mural and the room names are "not in keeping with the department's pro-business goals," Reich simply asks, "Are we still in America?" He adds that the U.S. department of labor building is named after Frances Perkins and contains portraits and murals of labor leaders. Reich concludes with the following line: "Governor, you might be able to erase some of Maine's memory, but you'll have a hard time erasing the nation's memory -- even if it's not in keeping with your pro-business goals." Going Colonial on Paul LePage: Wonkette's Ken Layne writes that "Paul LePage needs to be yanked out of his office by a bunch of pissed-off grim-faced yankees, tarred and feathered (this hurts!), and sealed inside one of those display canoes at the back of the L.L. Bean."

And Going Even Further Back in History: In an editorial on Monday, the New York Times said that governor LePage had "stooped to behavior worthy of the pharaohs' chiseling historic truths from Egyptian monuments." It also points out that the governor's daughter, fresh out of college and hired at an entry-level assistant's job at the governors office, is making $10,000 more than Mainers who pass the police and teacher exams.

Open Call for Pro-Business Art: In collaboration with The Portland Phoenix, the New England Journal of Aesthetic Research has issued a call for pro-business art to replace the "degenerate, 'one-sided' mural at the Maine department of labor." If you need any ideas, consider this: "submissions are encouraged to honor Maine's grand business history, from logging to ship building, from the brave executives who put down the 1937 women's strike to steadfast proponents of child labor, from the paper mill bosses who purified our waters with dioxins to those who intrepidly called in the National Guard to restore order in the face of wrong-thinking mobs and crybabies, and surplus and salvage company CEOs who selflessly offer damaged goods for retail sale before giving it all up for public service."

Republican Blogger Defends Labor Mural, Mocks Maine: On SodaHead News, Republican blogger Jack Thomas asks Governor LePage, "Do you really think some large corporation is going to pass up on moving to your state because of your artwork? 'Sure, moving to Maine would have saved Widgetsoft millions, but damn it, that mural pissed me off, so we aren't going to do it.' The real reason people aren't moving their businesses to Maine is that -- it's Maine. It's cold and if you don't ski, rock climb or enjoy making your own maple syrup there's nothing to do there." And on the Fake News: Referring to the governor's complaint that the mural is "one-sided," Jon Stewart quipped, "Do you understand how murals work?" He suggested that a new mural could include panels such as "Daddy Warbucks Gets a Shoeshine" and "Donald Trump Classes Up the Moon."


-Kate Deimling, ARTINFO

Tuesday, April 5, 2011

Woman Charged In Attack On 'Evil' Gauguin Painting

WASHINGTON -- A woman accused of pounding on a painting by Paul Gauguin and trying to rip it from a wall at the National Gallery of Art told police the post-Impressionist artist was evil and the painting should be burned, court documents show. Susan Burns, 53, of Arlington, Va., has been charged with attempted second-degree theft and destruction of property following the attack Friday. She was being held without bail pending a mental health hearing Tuesday.

The Gauguin painting, "Two Tahitian Women," valued at an estimated $80 million, was not damaged and will go back on view Tuesday, the National Gallery said in a statement. The picture is on loan from the Metropolitan Museum of Art in New York for an exhibit titled "Gauguin: Maker of Myth." The painting depicts two women standing next to each other, one with both breasts exposed and the other with one breast showing.

According to charging documents, an investigator told Burns her rights and asked why she had tried to remove the painting. "I feel that Gauguin is evil. He has nudity and is bad for the children. He has two women in the painting and it's very homosexual. I was trying to remove it. I think it should be burned," according to the documents. Burns also said: "I am from the American CIA and I have a radio in my head. I am going to kill you." Burns' attorney, Sharon Weathers, declined to comment Monday. Burns approached the painting around 4:45 p.m. Friday, grabbed the frame and pulled the bottom part off the wall, causing screws to fall to the floor, according to the documents. She then began banging on the middle of the painting with her fist. Burns was quickly apprehended by the museum's federal protection services officers. The painting was protected by a transparent plastic shield.

It was the first documented case of someone trying to deface a painting at the gallery since the 1970s, spokeswoman Deborah Ziska said. She said the gallery's security procedures worked.

Gauguin (1848-1903), a Frenchman, first traveled to Tahiti in 1891 and was known for his erotic portraits of local women and for his moral failings – including sexual relationships with his underage models.

Burns has been arrested several times. She served six months in jail after a 2006 conviction for assault and battery on a police officer. In 2002, she was convicted of misdemeanor trespassing. She has also been charged with disorderly conduct, obstruction of justice, vandalism and a separate assault on a police officer, but prosecutors declined to pursue those cases, Virginia court records show. ___ AP news researcher Julie Reed contributed to this report.


___

AP news researcher Julie Reed contributed to this report.

Gauguin
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